This opera investigates the amplitude of being of the Two, ranging from immersion into the ecstasy of absolute and indivisible One up to the surfacing towards hostile and unfamiliar shores of You and I. Action of the opera is experienced in a closed symbolic cycle of night-morning-day-evening-night, a continuous vortex of in-jang, a dialogue of movement and voice, in which the last stair of serenity, light and love naturally becomes the first stair towards chaos, darkness, suffering and vice versa.