Užsienio žiniasklaida
Hõbepappel, Liisa. See on meie mäng. Mängime!
Teater. Muusika. Kino (2026 jaanuar).
Leedu „Operomania” produtsent Ana Ablamonova: Edu ennustada on keeruline, tuleb töötada ja mitte lootust kaotada!
Klassikaraadio.err.ee (2026-01-20).
Stefański, Krzysztof. Co ma do tego Čiurlionis?
Ruch Muzyczny, 2026, No. 1, p. 30-24.
Longley, Martin. Hardanger fiddle maestra Benedicte Maurseth scintillates strings with Kronos in Oslo
Jazzwise.com (2026-01-05).
Almajedi, Sanna. Performa 2025
e-flux.com (2025-12-19).
Ebony, David. Performa Biennial 2025: Three Live Gems
Artworld.snapeditions.com (2025-12-14).
Borriello, Marilena. Performa 2025: Shifting Grounds
Flash---art.com (2025-12-09).
Ferreira, Caroline. Performa Biennial, NYC
Zerodeux.fr (2025-12-02).
Whispered Breath of Jonas Mekas
Tenjinyamastudio.jp (2025-12-01).
Standouts at the 2025 Performa Biennial
Impulsemagazine.com (2025-11-28).
Performa 2025: “What If You Went Live, What Would Happen?”
Cultbytes.com (2025-11-25).
Fuchs, Jörn Florian. Ein Festival in Vilnius feiert den litauischen Nationalkomponisten Mikalojus Konstantinas Čiurlionis
Deutschlandfunk (2025-11-13).
Wojciechowska-Konopka, Luiza. „Jurate” – sztuczna inteligencja ozywia operowe marzenie Mikołaja Konstantego Čiurlionisa
Onet.pl (2025-11-07).
Wojciechowska-Konopka, Luiza. „Jūratė”: Mikalojus Konstantinas Čiurlionis’ Operatic Dream Revived Through AI
Polish Opera Now (2025-11-06).
Wojciechowska-Konopka, Luiza. „Jurate” – sztuczna inteligencja ozywia operowe marzenie Mikołaja Konstantego Čiurlionisa
Polish Opera Now (2025-11-06).
TV report on the imaginary M. K. Čiurlionis’ opera “Jūratė” (watch from 1:50 min)
Latvian National Television / REplay.lv (2025-10-29).
Fuchs, Jörn Florian. Fokus auf Čiurlionis – Litauen feiert den 150.Geburtstag des Nationalkomponisten
Deutschlandfunk (2025-10-27).
Murauskaitė-Juškienė, Rasa. Experimentos genéticos en la ópera: ¿Qué ópera crea Operomanija en el siglo XXI?
Revista Dramática, #9: Sonoridades.
Zibulski, Axel. Litauische Kassiererinnen „Have a Good Day“ bei den Maifestspielen
Frankfurter Allgemeine Zeitung (2025-05-22).
von Sternburg, Judith. Guten Tag, Danke, Schönen Tag noch
Frankfurter Rundschau (2025-05-22).
Milch, Volker. Die Monotonie der Alltagswelt
Wiesbadener Kurier (2025-05-22).
Grainytė, Vaiva. „Have a Good Day!“: An Opera for Ten Singing Cashiers, Supermarket Sounds, and Piano
e-flux Journal. May 2025, Issue #154
Batog, Iga. Pisać to pamiętać
Ruchmuzyczny.pl
Stefański, Krzysztof. Jest dobrze, czyż nie?
Ruchmuzyczny.pl
Operowy spektakl bez precedensu – „Operomanija” na „Eufoniach”
Nck.pl (2024-12-01).
De Vidi, Marco. La scrittura surreale di Vaiva Grainytė
Theitalianreview.com. 2024 m., Nr. 84.
Grosos, Mathis. „Have a good day!” de Lina Lapelytė, théâtre musical en (grande) surface
Loeildolivier.fr (2024-11-01).
Bastard-Rosset, Lucine. Critique „Have a Good Day”: vous avez raté un opéra unique!
Linfotoutcourt.com (2024-10-30).
Sanglard, Denis. „Have a good day!”, Opéra pour dix caissières, des sons de supermarché et un piano; conception de Vaiva Grainytè, Lina Lapelytè et Rugilè Barzdziukaitè, au Théâtre du Rond-Point, Festival d’Automne, Saison de la Lituanie
Unfauteuilpourlorchestre.com (2024-10-24).
Blaustein-Niddam, Amélie. „Have a Good Day!” le capitalisme passe à la caisse au Festival d’automne
Cult.news (2024-10-22).
Batteault, Rémy. „Have a Good Day!”
Regardencoulisse.com (2024-10-22).
Rémer, Brigitte. „Sports Group”
Ubiquité-cultures.fr (2024-10-20).
Akots, Normunds. Piezīmes uz festivāla kataloga malām
Kroders.lv (2024-10-17).
Ozoliņš, Samuels. Absurdisms un laikmetīguma meklējumi
Kroders.lv (2024-10-17).
Festival „Sirenos 2024” Lithuanian showcase: jury statement
Menufaktura.lt (2024-10-15).
Couturier, Jean. Focus Lituanie au Théâtre de la Ville („Sports Group”)
Theatredublog.unblog.fr (2024-10-15).
Provençal, Jérôme. La Biennale de Toulouse 2024 célèbre la vivacité artistique de la Lituanie
Lesinrocks.com (2024-10-10).
Sanglard, Denis. „Sports group”, de Gabrielè Labanauskaité, Gailè Griciuté et Victorija Damerell, au Théâtre des Abbesses, Paris, dans le cadre du Focus Lituanien
Unfauteuilpourlorchestre.com (2024-10-10).
Blaustein-Niddam, Amélie. „Sports group”, le corps et la voix au Théâtre de la Ville
Cult.news (2024-10-09).
Azimi, Roxana. Une scène lituanienne vivifiante, synthèse de l’art contemporain et de l’opéra
Le Monde (2024-09-10).
Steiblytė, Kristina. Grieving the Present
Menufaktura.lt (2024-09-01).
Zavedskaitė, Dovilė. Horse and Lobster Whisperers
Menufaktura.lt (2024-08-29).
Renevytė, Rimgailė. A Season Without Drama
Menufaktura.lt (2024-08-20).
Magnaghi, Virginia. Biennale Teatro 2024. Have a Good Day!
Stratagemmi.it (2024-07-11).
Irmer, Thomas. Abseits der Ameisen-strasse
Theater der Zeit (2024-06-26).
Alberti, Carmelo. Il „canto sospeso” delle commesse di un supermercato
Drammaturgia.it (2024-06-25).
Calvini, Angela. Opera per dieci cassiere al super, la critica lituana al consumismo
Avvenire (2024-06-22), p. 19.
Fiore, Enrico. Quando i cetrioli strozzano i ravanelli
Controscena.net (2024-06-19).
Marchetto, Giambattista. La Lituania si affida ad „Have a good day”
Il Gazzettino (2024-06-18), p. 17.
Teede, Andra. Mida on meil õppida Leedu nüüdisooperist
Sirp (2024-05-03).
Radijo pokalbis (estų kalba) apie 1-ąjį Baltijos šiuolaikinės operos tinklo susitikimą Vilniuje
Klassikaraadio (2024-05-02).
Novak, Jelena. Wind Phone, Operomanija: Notes on Vulnerability, Longing and Love
Sound Stage Screen. Vol. 3, Issue 2 (Fall 2023), p. 167–176.
Hotte, Véronique. Radvila Darius, Fils de Vytautas de Karolis Kaupinis au Focus Premières, la Suite – Jeunes Scènes européennes – au Maillon à Strasbourg
Webtheatre.fr (2023-11-12).
Pilibaitytė, Vaida; Ribačiauskas, Rimantas. Documentary narrative „The Abyss”
LRT.lt (2023-09-24).
Mellēna-Bartkeviča, Lauma; Rodiņa, Ieva; Lēvalde, Vēsma; Zirne, Ērika. Meklējot tumsas gaišo pusi
Kroders.lv (2023-06-07).
Casi, Stefano. L’oracolo della cassiera
Casicritici.com (2023-02-06).
In the Studio. Žygimantas Kudirka: Slam messiah (radijo laidoje kalbama apie kūrinį „Puikus naujas kūnas“)
BBC World Service (2022-12-20).
Hanschke, Kevin. Ich kaufe nur, ich träume nichts
Frankfurter Allgemeine Zeitung (2021-05-11).
Murauskaitė, Rasa. Lithuania’s Operomanija is tearing up everything you thought you know about opera
The Calvert Journal (2021-04-28).
Арлаускайте, Наталия. Короткий двадцатый, долгая Вторая мировая
Colta.ru (2021-02-11).
Luck, Neil. Sensory Excess: The London Premiere of Confessions
The MIT Press Journals. TDR / The Drama Review. NY: New York University and the Massachusetts Institute of Technology, Fall 2020, Volume 64, Issue 3, p. 150–155.
Happy New Ears. Releases: Arturas Bumšteinas. Bad Weather Long Play
Muzlife Magazine (2020-01-15).
Gruodytė, Vita. Opera without Theatre
Hippocampus.si (2019, p. 163-172).
Матвиенко, Кристина. С песней про жизнь
MИТ-ИНФО (ITI-INFO). No. 3 (48), 2019, p. 24-27.
Šumila, Edvardas. Global and Local: An Observation from the Neighborhood
Glissando. September 24, 2019.
Меркулова, Марина. В поисках потерянного следа
Artistchannel.ru. Июнь, 2019.
Mellēna, Lauma. Opera komiksa izteiksmē
Nra.lv (2019-05-31).
Mellēna-Bartkeviča, Lauma. Lēvalde, Vēsma. Klaipēdas dienasgrāmata. II daļa
Kroders (2019-05-29).
Lyapustina, Polina. Comicbook Opera “Alpha” Wins Highest Theater Honor in Lithuania
Opera Wire. March 31, 2019.
Lyapustina, Polina. It Turns Out That Opera & Comicbooks Are a Good Match
Opera Wire. February 11, 2019.
Lyapustina, Polina. Lithuanian Indie Opera Fights Against Mass Consumption
Opera Wire. October 15, 2018.
Vergni, Daniele. Have a good day!
Alfabeta. Luglio 29, 2018.
Lei, Carlo. Have a Good Day! Il teatro lituano celebrato dalla vita vera delle cassiere
Krapp’s Last Post. Maggio 15, 2018.
Canziani, Roberto. Nekrošius. L’arte di chi digiuna. E quella di chi consuma
Quantescene (2018-05-13).
Pontorno, Mariagrazia. Have a good day! Il teatro lituano sul palcoscenico di Roma
Artribune. Maggio 12, 2018.
Ricci, Simone. Roma – Teatro Argentina: Buona giornata!
OperaClick. Maggio 8, 2018.
Doran, John. The Possibility Of a Forest: Unsound 2017
The Quietus. October 30, 2017.
Here’s What You Missed at Poland’s Avant-Underground Unsound Festival
Electronic Beats. October 20, 2017.
Experimentell – “Confessions – Oper im Dunklen” im LOFFT Theater Leipzig
MusiKultur (2017-04-02).
Pesti, Madli. Alternatiiv talveööle – ei unenäole! („Talveöö unenägu 2016“)
Teater. Muusika. Kino (2017 jaanuar).
Stadler, Michael. In der kapitalistischen Schleife
Abendzeitung: Kultur. 23.2.2016.
Kreicberga, Zane. Zālīte, Margo. Pievērst operai traktoristu. Mūzikas teātris Lietuvā un Latvijā
Teātra vēstnesis. 2015/11, p. 86–89.
Bonne Journée!
Theatre-Contemporain
La Lituanie ose l’opéra documentaire
Festival Passages 2015 video’s (2015-05-17).
C‘est l‘Automne en Normandie!
Le Havre infos. 12 au 18 Novembre, 2014, p. 6.
Witkin, Daniel. Supermarket Opera Gives a Melodious Voice to Cashers
The Moscow Times. March 11, 2014.
Rockwell, John. New York
Urban Arias. March, 2014.
Ross, Alex. The Opera Lab. The Prototype Festival rethinks a venerable genre
The New Yorker. February 3, 2014, p. 80–81.
Waleson, Heidi. An Ambitious Sophomore Effort
The Wall Street Journal. January 22, 2014, p. D5.
Smith, Steve. Attention, Shoppers: We‘re Singing
The New York Times. January 17, 2014, p. C18.